Cinderella - Wikipedia. Cinderella, or The Little Glass Slipper, (Italian: Cenerentola, French: Cendrillon, ou La petite Pantoufle de Verre, German: Aschenputtel) is a folk tale embodying a myth- element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world.[1][2] The title character is a young woman living in unfortunate circumstances, that are suddenly changed to remarkable fortune.
The story of Rhodopis, recounted by the Greek geographer Strabo in around 7 BC, about a Greek slave girl who marries the king of Egypt, is considered the earliest known variant of the "Cinderella" story.[1][2][3] The most popular version was first published by Charles Perrault in Histoires ou contes du temps passé in 1. Brothers Grimm in their folk tale collection Grimms' Fairy Tales. Although the story's title and main character's name change in different languages, in English- language folklore "Cinderella" is the archetypal name. The word "Cinderella" has, by analogy, come to mean one whose attributes were unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect.
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The still- popular story of "Cinderella" continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media. The Aarne–Thompson system classifies Cinderella as "the persecuted heroine". Ancient and international versions[edit]The Aarne–Thompson system classifies Cinderella as type 5. A, "the persecuted heroine". Variants of the theme are known throughout the world.
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Ancient Greece[edit]. Pair of ancient leather sandals from Egypt. The oldest known version of the Cinderella story is the ancient Greek story of Rhodopis,[3] a Greekcourtesan living in the colony of Naucratis in Egypt, whose name means "Rosy- Cheeks." The story is first recorded by the Greek geographer Strabo in his Geographica (book 1. BC or thereabouts: They tell the fabulous story that, when she was bathing, an eagle snatched one of her sandals from her maid and carried it to Memphis; and while the king was administering justice in the open air, the eagle, when it arrived above his head, flung the sandal into his lap; and the king, stirred both by the beautiful shape of the sandal and by the strangeness of the occurrence, sent men in all directions into the country in quest of the woman who wore the sandal; and when she was found in the city of Naucratis, she was brought up to Memphis, became the wife of the king ..[5]The same story is also later reported by the Roman orator Aelian (ca.
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Miscellanious History, which was written entirely in Greek. Aelian's story closely resembles the story told by Strabo, but adds that the name of the pharaoh in question was Psammetichus.[6] Aelian's account indicates that the story of Rhodopis remained popular throughout antiquity. Herodotus, some five centuries before Strabo, records a popular legend about a possibly- related courtesan named Rhodopis in his Histories, claiming that Rhodopis came from Thrace, and was the slave of Iadmon of Samos, and a fellow- slave of the story- teller Aesop and that she was taken to Egypt in the time of Pharaoh.
Amasis, and freed there for a large sum by Charaxus of Mytilene, brother of Sappho the lyric poet.[7][8]A version of the story, Ye Xian, appeared in Miscellaneous Morsels from Youyang by Duan Chengshi around 8. Here, the hardworking and lovely girl befriends a fish, the rebirth of her mother. The fish is later killed by her stepmother and sister. Ye Xian saves the bones, which are magic, and they help her dress appropriately for the New Year Festival. When she loses her slipper after being recognized by her stepfamily, the king finds her slipper and falls in love with her (eventually rescuing her from her cruel stepmother).
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Indonesia and Malaysia[edit]The Indonesian and Malaysian story Bawang Merah Bawang Putih, are about two girls named Bawang Putih (literally "White Onion", meaning "garlic") and Bawang Merah ("Red Onion"). While the two country's respective versions differ in the exact relationship of the girls and the identity of the protagonist, they have highly similar plot elements. Both have a magical fish as the "fairy godmother" to her daughter, which the antagonist cooks. The heroine then finds the bones and buries them, and over the grave a magical swing appears. The protagonist sits on the swing and sings to make it sway, her song reaching the ears of a passing Prince.
The swing is akin to the slipper test, which distinguishes the heroine from her evil sister, and the Prince weds her in the end. In Indonesia, Bawang Putih is the kind- hearted girl, who suffers at the hands of her evil stepmother, and stepsister Bawang Merah, who is the one that cooks the fish- mother.
When the Prince enquires after the singer on the swing, Bawang Merah lies, but is proven false when cannot make the magical swing move. The angry prince forces Bawang Merah and her mother to tell the truth.
They then admit that there is another daughter in the house. Bawang Putih comes out and moves the magical swing by her singing. In the end, she and her prince marry and live happily ever after. In the Malaysian version, it is Bawang Merah and her mother Mak Labu ("Mother Gourd") who are good, while her half sister Bawang Putih and her mother Mak Kundur ("Mother Wintermelon") are evil.
Both mothers were the wives of a poor man, and upon his death Mak Kundur seized control of the household and forced Mak Labu and Bawang Merah to do all the chores around the house. One day as Mak Labu was fetching water at the well, Mak Kundur pushed her into it, and Mak Labu turns into a gourami. In this version, Mak Kundur killed the fish and fed it to Bawang Merah who learns of her mother's fishbones in a dream and finds them with the aid of some ants.
Bawang Merah gathers the fish bones and buries them in a small grave underneath a tree. When she visits the grave the next day, she is surprised to see that a beautiful swing has appeared from one of the tree's branches. When Bawang Merah sits in the swing and sings an old lullaby, it magically swings back and forth. In this version, Mak Kundur knows the Prince, and lies when a royal guard enquires after the girl on the swing. Bawang Merah sings and it is she whom the Prince marries at the end of the story.
Philippines[edit]Another version also exists in the Philippines, probably handed by the Spaniards. Here, the girl is either named Maria (in most versions), Peregrina or Catherine in other versions. She is given impossible tasks but is helped by a crab in most versions, a fish in the Visayan regions or the Virgin Mary in the Luzon variants. The cruel relatives are not only limited to her stepfamily, but extends to her aunt and cousins, or her jealous godmother.
The Cinderella figure however, is more independent, as she shapes her future in her own hands. She does not always have a royal marriage in the end, but rather emerges as a rich and successful young woman overcoming all the cruelties she had suffered. However, due to later influences, the prince or king or simply a wealthy bachelor is added to the story, as well as the ball (or church service) and the missing shoe.[citation needed]Vietnam[edit]In the Vietnamese version Tam Cam, Tam is mistreated by both her father's co- wife and half- sister. After her fishing achievements are unjustly stolen by the stepsister, she brings the only remaining fish home and feeds it as a pet.
Her jealous step- family kills the fish and eats it, but its bones continue to serve as her protector and guardian, eventually leading her to become the king's bride during a festival. The protagonist takes violent revenge in part two of the story; after being murdered four times by her stepmother and stepsister, she eventually comes back from the dead and boils her stepsister alive, indirectly resulting in the death of her stepmother. The Korean version of the story, Kongjwi and Patjwi, tells of a kind girl named Kongjwi, who is constantly abused by her stepmother and stepsister Patjwi. The step- family forces Kongjwi to stay at home while they attend the king's festival, asking her to repair a leaking jar.
A toad assists with the jar, and an ox brings her clothes for the festival. The story contains the same general motifs as most other versions of the story, including a festival and a king who falls in love with the protagonist. West and South Asia[edit]Several different variants of the story appear in the medieval One Thousand and One Nights, also known as the Arabian Nights, including "The Second Shaykh's Story", "The Eldest Lady's Tale" and "Abdallah ibn Fadil and His Brothers", all dealing with the theme of a younger sibling harassed by two jealous elders. In some of these, the siblings are female, while in others, they are male. One of the tales, "Judar and His Brethren", departs from the happy endings of previous variants and reworks the plot to give it a tragic ending instead, with the younger brother being poisoned by his elder brothers.[9]Britain[edit]Aspects of Cinderella may be derived from the story of Cordelia in Geoffrey of Monmouth's Historia Regum Britanniae.
Cordelia is the youngest and most virtuous of King Leir of Britain's three daughters, however her virtue is such that it will not allow her to lie in flattering her father when he asks, so that he divides up the kingdom between the elder daughters and leaves Cordelia with nothing. Cordelia marries her love, Aganippus, King of the Franks, and flees to Gaul where she and her husband raise an army and depose her wicked sisters who have been misusing their father. Cordelia is finally crowned Queen of Britain. However her reign only lasts five years. The story is famously retold in Shakespeare's King Lear, but given a tragic ending. The Charles Dickens novel David Copperfield also shares similarities with Cinderella, but is gender reversed; David, a young boy, has a passive mother who remarries with a cruel man after her husband passes.